Unlike "Fatal Attraction," "Misty" is actually elegant and graceful, and it offers some subtlety and ambiguity. I do not understand the "dated" comment in general.
Should characters in have been toting cellphones? And in terms of the filmmaking, again, "Misty" is both more stylish and more restrained than "Fatal Attraction. Eastwood says here that the the shoot of "The Good, the Bad and the Ugly" lasted ten weeks, but he must have suffered an age-related lapse in memory. Apparently, the shoot lasted four months, hence the reason why he remembers it as being arduousβto say nothing of the brutal desert conditions that he endured.
Post a Comment. Tuesday, 15 December Eastwood Interviewed 03 Clint on Clint Empire Magazine November Clint on Clint Empire Magazine November Clint Eastwood On The Good, The Bad And The Ugly. I thought it was insanity and that insanity was intriguing for me. In some ways it was awful, even by the last of his Spaghettis, he shared a room with Eli Wallach, alternating use of the single bed. Communication with Leone was minimal and that is exactly what worked.
Eastwood's approach to this taciturn killer, all growls, squints and swift draws on a cheroot that made him nauseous, now a tidy witticism: "Don't just do something, stand there!
It was certainly different from me. The Good, The Bad And The Ugly is undoutedly the highpoint of their mysterious bonding: contained within its wild, swaggering style, is a sad cry against the cost of war, with Spain's Almeria standing in for a desert state in Civil War USA. Still, the result is a gleaming pleasure that enthrals generation after generation. I grew up on those Spaghetti Westerns. I on those experiences. Its barrage of nifty stunts and snowy locations, and the ping pong of double crosses that make up the twist ending, have granted the film a bank holiday charm.
