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Do you remember yours? This series was born out of a mistake and a lucky day. It is a progression of light to darkness. I had just arrived to Brno, the second largest city in the Czech Republic, in late February. It was miserably cold, but my first week there it was sunny. I was sorting images, and it struck me: ghosts. I aimed for trams as they moved across the streets, but instead got eerie outlines of people. In the first 2 , I looked to capture a moving tram, which I did in other images of the composition, but individual people stood out.
Seeing the world as a sea of ghosts, better represented by 3 , feels like many photographers do: lonely - out of frame - always a willing contestant but never a subject to your photographs.
Through film and old gear, I discovered my love for photography. I realize most of my peers seem to look out for the next best thing - the fastest, sharpest lens, the best bokeh, the cleanest image - but I find myself lost in old oddities and emotion.
I want to capture moments, feelings and movement, but above all, I want meaning in my work. I find more significance in a story behind an image than in its technical aspects, and I don't care much for new gear, instead I hunt for old stuff that will do the job.
I can recall a funny situation when looking for film in California. That's me. I find it beautifully limiting, forcing me to get the shot right the very first time, every time. I've lost track of how many adapters I've had, and how many Russian lenses have died on me and yet, for some reason I keep buying them.