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Chantal Joffe brings a combination of insight and integrity, as well as psychological and emotional force, to the genre of figurative art. Defined by its clarity, honesty and empathy, her work is attuned to our awareness as both observers and observed beings, and is questioning, complex and emotionally rich. Joffe's paintings always alert us to how appearances are carefully constructed and codified, whether in a fashion magazine or the family album, and to the choreography of display.
For the artist, notions of sensuality and self-disclosure are parcelled up in works of mobile immediacy. Tensions between the scale of the work and the apparent intimacy of the scene depicted heighten already complex narratives about connection, perception and representation that, implicit in the relationship between artist and subject, are extended to the viewer as a series of propositions and provocations. Together, the works build upon narratives about connection, perception and representation.
They alert us to the endless nuance of bodily expression; the myriad ways in which we reveal ourselves and communicate emotion, consciously or not. Born in , Chantal Joffe lives and works in London.
Joffe has created a major public work for the Elizabeth line in London titled A Sunday Afternoon in Whitechapel , on view at Whitechapel Elizabeth line station. Victoria Miro is delighted to present new works by Chantal Joffe.
An exhibition of work by 19 artists celebrating the colour blue, available online and on Vortic as part of The London Collective. A series of large-scale pastel self-portraits by Chantal Joffe, viewable online and on Vortic Collect.