The fierce passions excited by an Eastern sun found their expression in it. Prostitution became a religious duty, whose wages were consecrated to the goddess of love.
Ishtar in terracotta relief, early 2nd millennium BC. Currently in the Louvre. The other elements in her hybrid character had come to the front, aided by the Semitic conception of the female side of the divinity.
She was now the fruitful goddess of the earth, teeming with fertility, the feminine development of the life-giving Sun-god, the patroness of love. The worshipper who would serve her truly had to share with her her pains and pleasures.
Only thus could he live the divine life, and be, as it were, united with the deity. It was on this account that the women wept with Istar each year over the fatal wound of Tammuz ; it was on this account that her temples were filled with the victims of sexual passion and religious frenzy, and that her festivals were scenes of consecrated orgies. The figure in the relief was sometimes identified with Lilith, based on a misreading of an outdated translation of the Epic of Gilgamesh.
Modern research has identified the figure as either Ishtar or Ereshkigal. As the worship of the goddess spread westward, the revolting features connected with it spread at the same time.
