Each year, the Courtauld Institute has a joint meeting with Lille and Leuven Universities, and this time it was the turn of the French to host, and I was invited along. In between two days of papers which managed to provoke some interesting discussions and sharing of ideas, we visited the new Louvre outpost at Lens, and then Arras to view some Carolingian, Romanesque and Gothic manuscripts. It was a rewarding few days, but really for me it was an excellent opportunity to get under the channel and do a trip round the area to actually see some Gothic architecture in the place where it all began.
I found the Cathedral in the early morning light and watched it slowly emerge in its pointy splendor. The coronation church of the French monarchy, this early thirteenth-century Cathedral is the birthplace of bar tracery, where the window heads are subdivided into skeletal shapes, leading to a whole new concept of surface ornament. Indeed, my interest in Gothic is often a little obsessed with linear forms, and it is the sheer scale of Rheims Cathedral and everything about it that impresses.
The experience of these forms, and subsequently, the spaces they create, at their actual size that is a vital part of their meaning, and why it is borderline preposterous to write anything about these buildings without having been in them.
The roof was burnt off when the Cathedral got caught up in the First World War, and the gargoyles choked with the resulting lead vomit one of the most shocking things in the Palace of Tau next door. Yet also, many of the exterior sculptures are gradually being replaced with facsimiles, and removed from their original context into the museum they seem like idolatrous pagan giants, including the quite incredible and massive scene of the Coronation of the Virgin from over the central portal of the facade.
Once again, it is the size that it is incommunicable outside of experience. Rheims Cathedral is largely the result of one campaign, unlike most English Cathedrals. Much more of a puzzle along the lines I am used to back home is the Abbey of Saint Remi not far south of the centre. This is a Romanesque church remodelled into pointed, with a pure Early Gothic twelfth-century chevet of the kind of Saint Germain-des-Pres and St.
