Through sound, image, text, installation and performance they deal with the themes of spatial politics, desire, subjectivity, catastrophes and the absurdity of today's power politics. They examine the spatio-temporal resonances in relation to the real, the imagined and the remembered. In interdisciplinary installations and audio-visual live performances they explore the possibilities of experience of sound, image and environment.
They usually present their works as large-format installations, which they often transfer into performances and sometimes publish online. Their works are exhibited and performed internationally. Recently they founded the performance collective Tashweesh in Ramallah together with the local artist boikutt. Through sound, image, text, installation, and performance, they explore the themes of spatial politics, desire, subjectivity, catastrophe, and the absurdity of contemporary power politics.
They investigate space-time resonances in relation to the real, the imagined, and the remembered. In interdisciplinary installations and audio-visual live performances, they explore the experiential possibilities of sound, images and environment. They present their work mostly as large-scale installations, which they often transfer into performances and sometimes publish online. Recently they founded the performance collective Tashweesh in Ramallah together with local artist boikutt.
For me, all things are connected: from the atomic level to larger social structures. I am fascinated by the fact that even small interventions can change something to form new sustainable support systems. Most, if not all, of my practice derive from rhythms and systems. It depends on the context how I engage with those systems, from preserving to initiating, intervening, supporting, negotiating, hacking, questioning, etc.
It is formulated into installations, videos, audio, gigs, happenings, events, or anything. As an artist, I always consider how I can function within my surrounding realities. It also made it easier for me to move between systems, therefore I am afforded with the chance to choose what, when and how I contribute. The question is always: How can I put that luxury to use? The broader question is how to best engage with systems? I would like to be able to look at things up close and from afar, from the personal and micropolitics to the universal language of art if such a thing exists.
